Romeo Save Me
03/10/24—19/10/24
Solo Exhibition, Pallas Projects/Studios

 HARDCORE FENCING, (2023) Installation View, ‘Romeo Save Me’ Solo Exhibtion, Pallas Projects/ Studios, 2024. Image courtesy of  Louis Haugh.






 HARDCORE FENCING, (2023) Installation View, ‘Romeo Save Me’ Solo Exhibtion, Pallas Projects/ Studios, 2024. Image courtesy of the Louis Haugh.






 HARDCORE FENCING, (2023) Installation View, ‘Romeo Save Me’ Solo Exhibtion, Pallas Projects/ Studios, 2024. Image courtesy of Louis Haugh.






 HARDCORE FENCING, (2023) Installation View, ‘Romeo Save Me’ Solo Exhibtion, Pallas Projects/ Studios, 2024. Image courtesy of Louis Haugh.





 HARDCORE FENCING, (2023) Installation View, ‘Romeo Save Me’ Solo Exhibtion, Pallas Projects/ Studios, 2024. Image courtesy of Louis Haugh.







 Romeo Save Me (2024), foamex, 3M scotchlite vinyl, carbon fiber hunting arrows, Installation view in the bathroom. Image courtesy of the Artist. 






 Discreet Masc Looking 4 Same (2024), Archival Pigment Print on Dibond, Tray Frame, Instllation view in Disabled Toilet. Image courtesy of Louis Haugh.





‘Romeo Save Me' is an installation confronting the challenges of self-perception in an era dominated by incessant streams of digital content. Appropriated and artificially generated images are employed to create an environment that resonates at the blurred intersection between celebrity culture, alienation, and violence.
Examining the unrelenting pressure to perform all aspects of the self within the hyper-competitive landscape of platforms, the work explores how emotional pain and vulnerability are commodified as a marker of authenticity. 

At its core is a 15-minute video piece, ‘HARDCORE FENCING’, examining a personal struggle with compulsive content consumption.Spinning cars, flesh masks, and looming environmental disasters run parallel with the rise and fall of influencers, evoking endless self-consuming loops. Content appears as nodes of emotion. 'Reality' is performed and re-reformed. Memories deformed. The landscape is one of isolation, loneliness and insecurity where viewers are invited to reflect on the emerging fragmented sense of contemporary male identity.

The exhibition is accompanied by a commissioned text and response by artist and writer Sadbh O’ Brien—The Master of Noise

Luke van Gelderen in conversation with Nora O Murchú


Exhibtion Opening Speech by Sean Kissane (IMMA)